Undeciphered writing systems

• Vinča symbols – Neolithic Europe (Central and Southeastern Europe), c.4500 – c.4000 BCE. Often treated as proto-writing or symbolic marks rather than confirmed writing.^[13][14]

• 
  Vinča symbols

• Indus script – c.2800 – c.1900 BCE.^[15][16][4]
• Vikramkhol inscription – c.1500 BCE.
• Megalithic graffiti symbols – c.1000 BCE – c.300 CE; proposed as possible writing and sometimes hypothesized as related to the Indus tradition, though this remains debated.^[17]
• Pushkarasari script – Gandhara, 3rd century BCE to 8th century CE.
• Shankhalipi – c.4th – c.8th century CE.

• 
  Indus script
• 
  Vikramkhol inscription
• 
  Pushkarasari script
• 
  Shankhalipi

• Proto-Elamite script – c.3100 – c.2900 BCE.^[18]
• Jiroft script – c.2200 BCE.
• Byblos syllabary – Byblos, c.1700 BCE.
• Trojan script – Troy (Early Bronze Age); status disputed and it is unclear whether the marks constitute a single writing system or writing at all.^[19]

• 
  Proto-Elamite script
• 
  Byblos syllabary

• Ba–Shu scripts – 5th to 4th century BCE.
• Khitan large script and Khitan small script – Khitan, 10th century; partially understood but not fully deciphered.

• 
  Ba script
• 
  Khitan large script
• 
  Khitan small script

• Singapore Stone – fragment of a sandstone slab inscribed with an ancient Southeast Asian script, possibly Old Javanese or Sanskrit; at least 13th century, possibly as early as 10th–11th century.

• 
  Singapore Stone

• Oxus script – c.2200 BCE.
• Issyk inscription – Kazakhstan, c.4th century BCE.
• Kushan script – c.2nd century BCE – c.7th century CE; partially deciphered, with recent proposals identifying a substantial portion of the sign inventory and phonetic values in the scholarly literature.^[20]

• 
  Issyk inscription

• The Starving of Saqqara – a privately held sculpture claimed to be ancient and bearing an unidentified inscription; provenance and authenticity have been questioned, and the markings are not securely established as an ancient writing system.^[32]
• Wadi el-Hol inscriptions – Egypt; early alphabetic inscriptions (often dated to the late Middle Kingdom, roughly early 2nd millennium BCE) with proposed readings but no universally accepted full decipherment; frequently discussed in relation to Proto-Sinaitic script.^[33][34]

• Eghap script – Cameroon, c.1900; partially deciphered.
• Ancient inscriptions in Somalia – inscriptions reported on Taalo Tiiriyaad structures; independent archaeological verification and interpretation vary in the literature.^[35]

• Quipu – Knotted-cord recording devices used in the Inca Empire and by several earlier Andean societies such as the Wari. Possible Proto-Quipus have been found in Paracas and Caral-Supe, though these remain controversial. Quipus continued to be used in certain regions during the early colonial period and, in limited contexts, into the modern era. They are widely accepted as record-keeping devices; whether they constitute "writing" (and what kind) remains debated. Some recent scholarship argues that particular colonial-period quipu assemblages display features consistent with logosyllabic encoding and proposes tentative readings of specific elements; however, these claims remain controversial and do not represent a broadly accepted decipherment.^[36] In another case, six early colonial quipus from the Santa Valley, Peru, have been correlated with a contemporaneous Spanish administrative document, making the connection a possible test case for linking quipus to alphabetic texts.^[37][38]

• 
  Quipu

• Olmec hieroglyphs – c.1000 – c.400 BCE; sometimes proposed as a "mother script" in broader origin theories, though the evidence and relationships remain debated.^[39]
• Zapotec hieroglyphs – c.500 BCE – c.800 CE; often described as logosyllabic, with varying degrees of interpretation.^[40]
• Ñuiñe hieroglyphs – c.400 – c.800 CE; similar to Zapotec and possibly an offshoot in the Mixteca Baja; often described as logosyllabic.^[41]
• Isthmian (Epi-Olmec) hieroglyphs – c.400 BCE – c.500 CE; partial readings have been proposed, but the overall decipherment remains disputed.^[42]
• Izapan hieroglyphs – Late Preclassic; often proposed as related to Isthmian traditions and later Lowland Maya developments; status remains uncertain.^[43]
• Teotihuacan hieroglyphs – c.100 BCE – c.700 CE; sometimes described as partially logosyllabary and partially a pictography; its relationship to earlier traditions is debated. Descendants include the Mixteca-Puebla Postclassic tradition.^[44]
• Classic Gulf Coast hieroglyphs – Early Classic to Early Postclassic; often discussed as related to central Mexican traditions.^[45]
• Cotzumalhuapa hieroglyphs – c.0 – c.1000 CE; sometimes discussed as influenced by Teotihuacan and Lowland Maya traditions; seemingly of autonomous local development, though ultimately related to all other mesoamerican writing systems. Interpretation remains limited.^[46]
• Epiclassic/Early Postclassic hieroglyphs of Xochicalco, Cacaxtla, Teotenango, Tula and Chichén Itzá – generally treated as part of broader regional glyphic traditions; many elements remain only partially understood. Intermediary between the Teotihuacan Classic Period hieroglyphs and their Mixteca-Puebla descendants of the Middle and Late Postclassic.^[47][48]

Many Mesoamerican glyphic traditions remain only partly understood, with the Classic/Lowland Maya script being the best-attested and most extensively deciphered. Other regional traditions (including those often grouped under "Mixteca-Puebla" or pictorial-historical codex traditions ultimately descended from the Teotihuacan tradition, most notably represented by Aztec hieroglyphs and Mixtec hieroglyphs) have been interpreted in the literature to varying extents, but are not universally recognised as a writing system, with some researchers considering it a mostly non-linguistic form of expression.^[49] Yet, in recent years new research has appeared confirming the existence of logosyllabic elements ("glyphs") intermixed with pictorial images.^[50][41] Nevertheless, new approaches have emerged, integrating the pictorial images as key in the linguistic interpretation of all elements in the codices, alongside the logograms and phonograms. These pictorial images would represent greater units of meaning, namely semantograms, also called embedded meanings, than a lexeme (logograms) or a sound (phonogram) which would become of paramount importance to achieve a coherent linguistic message in the codices.^[51] Thus, Mixteca-Puebla writing would constitute a form of non-linear writing.

• 
  La Venta Stele 19
• 
  Olmec colossal head in La Venta (possible name glyph on forehead)
• 
  Zapotec script
• 
  Isthmian/Epi-Olmec inscription
• 
  Izapan tradition (Tak'alik Ab'aj)
• 
  Cotzumalhuapa tradition