↑「冷戦の偏執的なレトリックは、1980年代の多くのポピュラー音楽でパロディ化され、フランキー・ゴーズ・トゥ・ハリウッドの『Two Tribes』(1981年)、ネーナの『99 Luft Ballons』(1982年)、ヘブン17の『Let's All Make a Bomb』などが挙げられる…」ジェーン・ミリング著『 Modern British Playwriting: the 1980s: Voices, Documents, New Interpretations』、Methuen Drama、2012年。ISBN97814081296092013年(83ページ)
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