ウルドゥー語映画のリスト

この記事では、ウルドゥー語映画を制作年順にリストします。以下の映画は主にパキスタンの映画で、いくつかはインドのウルドゥー語映画です。パンジャブ語、ベンガル語、ウルドゥー語を含むパキスタン映画の完全なリストについては、パキスタン映画のリストを参照してください。ヒンディー語映画として取り上げられているインドのボリウッド映画は、ほとんどがヒンドゥスターニー語で作られています。^[1]^[2]^[3]同様に、ウルドゥー語映画もヒンドゥスターニー語で作られています。現代のウルドゥー語と現代のヒンディー語は、全体的な語彙がより似ています。ボリウッド映画のリストを参照してください。

1940年代

1950年代

1960年代

1970年代

1980年代

1990年代

2000s

2010s

2020s

References

^ "Decoding the Bollywood poster". National Science and Media Museum. 28 February 2013.
^ Aḵẖtar, Jāvīd; Kabir, Nasreen Munni (2002). Talking Films: Conversations on Hindi Cinema with Javed Akhtar. Oxford University Press. p. 49. ISBN 9780195664621. JA: I write dialogue in Urdu, but the action and descriptions are in English. Then an assistant transcribes the Urdu dialogue into Devnagari because most people read Hindi. But I write in Urdu. Not only me, I think most of the writers working in this so-called Hindi cinema write in Urdu: Gulzar, or Rajinder Singh Bedi or Inder Raj Anand or Rahi Masoom Raza or Vahajat Mirza, who wrote dialogue for films like Mughal-e-Azam and Gunga Jumna and Mother India. So most dialogue-writers and most song-writers are from the Urdu discipline, even today.
^ "Film World". Film World. 10. T.M. Ramachandran: 65. 1974. I feel that the Government should eradicate the age-old evil of certifying Urdu films as Hindi ones. It is a known fact that Urdu has been willingly accepted and used by the film industry. Two eminent Urdu writers Krishan Chander and Ismat Chughtai have said that "more than seventy-five per cent of films are made in Urdu." It is a pity that although Urdu is freely used in films, the producers in general mention the language of the film as "Hindi" in the application forms supplied by the Censor Board. It is a gross misrepresentation and unjust to the people who love Urdu.
^ "Money Back Guarantee (2020 film)". The Express Tribune. 26 October 2019.

External links

Search Pakistani film - IMDB.com

[scienceandmediamuseum-1] "Decoding the Bollywood poster". National Science and Media Museum. 28 February 2013.

[Akhtar-2] Aḵẖtar, Jāvīd; Kabir, Nasreen Munni (2002). Talking Films: Conversations on Hindi Cinema with Javed Akhtar. Oxford University Press. p. 49. ISBN 9780195664621. JA: I write dialogue in Urdu, but the action and descriptions are in English. Then an assistant transcribes the Urdu dialogue into Devnagari because most people read Hindi. But I write in Urdu. Not only me, I think most of the writers working in this so-called Hindi cinema write in Urdu: Gulzar, or Rajinder Singh Bedi or Inder Raj Anand or Rahi Masoom Raza or Vahajat Mirza, who wrote dialogue for films like Mughal-e-Azam and Gunga Jumna and Mother India. So most dialogue-writers and most song-writers are from the Urdu discipline, even today.

[film-world-3] "Film World". Film World. 10. T.M. Ramachandran: 65. 1974. I feel that the Government should eradicate the age-old evil of certifying Urdu films as Hindi ones. It is a known fact that Urdu has been willingly accepted and used by the film industry. Two eminent Urdu writers Krishan Chander and Ismat Chughtai have said that "more than seventy-five per cent of films are made in Urdu." It is a pity that although Urdu is freely used in films, the producers in general mention the language of the film as "Hindi" in the application forms supplied by the Censor Board. It is a gross misrepresentation and unjust to the people who love Urdu.

[4] "Money Back Guarantee (2020 film)". The Express Tribune. 26 October 2019.