ジェーン・ベイリー・カーライル(旧姓ウェルシュ、1801年7月14日- 1866年4月21日)はスコットランドの作家であり、トーマス・カーライル の妻であった。
彼女は生前小説を出版しなかったものの、並外れた手紙の書き手として広く知られていた。ヴァージニア・ウルフは彼女を「偉大な手紙の書き手」の一人と呼び[ 1 ]、エリザベス・ハードウィックは彼女の作品を「私的な執筆活動」と評した[ 2 ] 。
ジェーン・ベイリー・ウェルシュは、1801年7月14日、イースト・ロージアン(当時はハディントンシャー)のハディントンで、グレース・カプレギルとジョン・ウェルシュ(1770年 - 1819年)の間に生まれた。[ 3 ]

ジェーンの家庭教師エドワード・アーヴィングは1821年に彼女をカーライルに紹介し、二人は互いに惹かれ合うようになった。二人は1826年に結婚し、エディンバラのコメリー・バンク21番地に引っ越した。1828年にはクレイゲンパットックに引っ越した。トーマスは執筆に没頭することが多かったが、ジェーンは家事を忠実にこなした。1834年、カーライル夫妻はロンドンのチェルシー、チェイン・ロウ5番地に引っ越した。ジェーンは夫が邪魔されずに執筆できるよう、近所の静けさを保つという新たな役割を担った。フィリス・ローズは「結婚生活におけるジェーンの役割を最もよく表しているのは、夫を鶏の鳴き声から守ろうとする彼女の絶え間ない闘いである」と書いている。[ 4 ]
1844年に夫に宛てた手紙の中で、ジェーンはこの取り決めについて次のように書いています。「昨晩は、あらゆる種類の雄鶏、犬、そしてかなりの荷車の轟音にもかかわらず、ずっとよく眠れました!でも、あなたがそれらのせいで眠れずにいると思うと、これらのことの悪さが私にとっては2倍にも3倍にもはなりませんでした。」[ 5 ]このような発言にもかかわらず、結婚生活は最終的には愛情に満ちたものでした。1週間後の別の手紙がそれを物語っています。「ここに来てからずっと不思議に思っていますが、私はどんなに腹を立てていても、あなたを完全に捨てて去るなんて話はできません。もし今日、その理由であなたのもとを去るとしたら、明日必ず戻って、あなたがどう感じているかを見なければならないでしょう!」[ 6 ]
Their voluminous correspondence has been published, and the letters show that the couple's affection for each other was marred by frequent quarrels. Samuel Butler once wrote: "It was very good of God to let Carlyle and Mrs. Carlyle marry one another and so make only two people miserable instead of four."[7]
Margaret Oliphant, a personal friend of the Carlyles, opined that the marriage's "canker" came chiefly from Jane.[8] Carlyle's biographer James Anthony Froude posthumously published his opinion, based on "gossip and rumor" circulated by Geraldine Jewsbury,[9] that the marriage remained unconsummated.[10][11] This notion was disputed by members of the Carlyle family, Oliphant, James Crichton-Browne and others.
Historian Paul Johnson notes in Creators that she not only irked her husband but made prickly comments about others. One target was fellow female writer George Eliot (Mary Ann Evans), whose decision to live openly with her married lover George Henry Lewes had scandalised London society. Seeing the pair at the theatre one evening, Jane remarked of Eliot, "Poor soul! There never was a more absurd miscalculation than her constituting herself an improper woman. She looks Propriety personified. Oh, so slow!"[12]
The Poetry Foundation's biography of Leigh Hunt says that his famous poem "Jenny Kiss'd Me" was inspired by Carlyle's wife.[13][note 1]
Jane was jealous of a friendship her husband had with the socialite and hostess Lady Harriet Mary Montagu (later Lady Ashburton).[15] Despite the platonic nature of the friendship, Jane expressed her jealousy and anger in a letter dated in 1856.


Jane had a long friendship and correspondence with the writer Geraldine Jewsbury. The two women first met in 1841, when Jewsbury's letters to Carlyle expressing admiration for his work[16] and her religious doubts prompted him to extend an invitation to 5 Cheyne Row. Jewsbury was going through a depressive time, but she also contacted Thomas in the hopes of entering the literary realm in England. When Carlyle floated the idea of a second visit in 1843, Jane hesitated, finally admitting to Carlyle: "'Why I am afraid that having her beside me from morning till night would be dreadfully wearing'!" She complained of how Jewsbury was "always in a state of emotion! dropping hot tears on my hands, and watching me and fussing me".[17] While Jane's letters were destroyed by Jewsbury in keeping with their agreement to destroy their correspondence before their deaths, Jane's sudden death prevented her from destroying Jewsbury's half.[18] Jewsbury's letters evince her passionate feelings for Jane: "I feel towards you much more like a lover than a female friend".[19]
They often had disagreements about common social issues of the era such as the place of men in women's lives and the purpose of women in general. Jewsbury was not opposed to marriage, but she thought man and woman should be equal in marriage; she did not witness that with the Carlyles, and criticised him for it.[20] Jane often tried to set up Jewsbury with suitable bachelors in London. However, none of them stuck (Jewsbury never married).

When they were on good terms, Jane helped Jewsbury with many of her literary works, including two of Jewsbury's most popular novels, Zoe: the History of Two Lives,[21] and The Half Sisters, which Jewsbury wanted to dedicate to her.[22]
In 1857, Jewsbury became romantically involved with Walter Mantell, and the two women became distant. But near the end of her life, when Jane was very ill, the two reconnected. When Jane died, Jewsbury spoke of her as "the friend of my heart".[23]
Virginia Woolf based a 1929 article in the Times Literary Supplement on Jewsbury's letters to Jane Carlyle,[24] later published in The Second Common Reader.[16] Their relationship was recognized among their literary peers despite the ups and downs of their friendship.[11][25][26]
Throughout her life, Jane Carlyle valued letters. "A newspaper is very pleasant when one is expecting nothing at all; but when it comes in place of a letter it is a positive insult to one's feelings."[27] It was her husband who established the notion of Jane as a literary talent with his oft-quoted reaction to reading her letters (8 July 1866):
The whole of yesterday I spent in reading and arranging the Letters of 1857; such a day's reading as I perhaps never had in my life before. ... Her sufferings seem little short of those in an hospital fever-ward, as she painfully drags herself about; and yet constantly there is such an electric shower of all-illuminating brilliancy, penetration, recognition, wise discernment, just enthusiasm, humour, grace, patience, courage, love,—and in fine of spontaneous nobleness of mind and intellect,—as I know not where to parallel!
He continued with an estimation of her writing talents which became the basis of claims that Jane might have been a novelist, if only she had not married him:
As to 'talent,' epistolary and other, these Letters, I perceive, equal and surpass whatever of best I know to exist in that kind; for 'talent,' 'genius,' or whatever we may call it, what an evidence, if my little woman needed that to me! Not all the Sands and Eliots and babbling cohue [band] of 'celebrated scribbling Women' that have strutted over the world, in my time, could, it seems to me, if all boiled down and distilled to essence, make one such woman.[28][29]
The passages reflect Carlyle's grief in response to the content of Jane's letters. Phyllis Rose writes that "few women in history – or even literature – were more successful at making their husbands feel guilty than Jane Carlyle".[30]
フランシス・ウィルソンは、「ジェーンの手紙は、その新鮮さといたずらっぽさを少しも失っておらず、私たちをすぐに彼女の世界、あるいはむしろ彼女が構築することを選んだ世界へと連れて行ってくれる。彼女は手紙を小説の川のように考えており、その中で会話を記録し、彼女が『一場面のドラマ』と呼んだものをスケッチし、喜劇的な効果のために日々を再構成した」と書いている。[ 31 ]
カーライル家の友人であったスコットランドの哲学者デイヴィッド・ジョージ・リッチーは、1889年に『ジェーン・ウェルシュ・カーライルの初期書簡集』というタイトルで彼女の手紙を出版した。それ以来、ジェーンとトーマスの往復書簡をまとめた複数巻のコレクションを含め、カーライル家の手紙が数多く収集され出版されている。[ 32 ]
1973年、アメリカの学者G・B・テニスンは彼女を「それ自体で文学的に興味深い稀有なヴィクトリア朝時代の妻の一人であり、19世紀の偉大な書簡作家の一人(ある意味では夫よりも優れている)として記憶されることは、貪欲な夢をも超える栄光である」と評した。
彼女は1866年4月21日にロンドンで亡くなり、ハディントンのセント・メアリーズ・カレッジエイト教会に父と共に埋葬されている。墓(柵で囲われている)は教会の西端近くに立っている。
エディンバラのジョージ広場の西側には、ジェーンを記念する銘板が設置されている。