ベス・エリオット(1950年11月26日生まれ)は、アメリカのフォークシンガー、活動家、作家である。[ 1 ] 1970年代初頭、エリオットはカリフォルニアで開催された「ビリティスの娘たち」と「西海岸レズビアン会議」に関わっていた。1973年の会議では、基調講演者を含む少数の参加者が、トランスジェンダーであることを理由に彼女の排除を要求し、彼女は論争の中心となった。[ 2 ]
エリオットは1950年11月26日、カリフォルニア州バレーホで生まれた。カトリック教徒として育ち、イタリア系、アイルランド系、フランス系ユグノー教徒の血を引いている。エリオットは、子供の頃から性別違和感を感じ始め、10代後半から性別移行を始めたと述べている。 [ 3 ]
ベス・エリオットは1970年代半ばから両性愛、フェミニズム、エイズ運動、セックス・ポジティブ、トランスジェンダーについて執筆している。[ 4 ] [ 5 ]さらに、エリオットはENC Pressから出版された数冊の本の著者でもある。1996年に出版された回顧録『Mirrors: Portrait of a Lesbian Transsexual 』は、ベイエリア・レポーター紙によって「レズビアン・フェミニズムとトランスジェンダー/トランスセクシュアル文学史における古典」と評された。[ 6 ]彼女は2011年にこの本を改訂し、新たな序文とあとがき、西海岸レズビアン会議での経験を綴った章を追加した。[ 6 ]また、 2003年に出版されたSF小説『Don't Call it “Virtual”』の著者でもある。[ 7 ]
彼女はゲイの権利を支持する政治活動に携わり、アリス・B・トクラスLGBTクラブを共同設立した。[ 5 ]彼女はカリフォルニア州性法改革委員会の理事に選出され、1975年に同委員会はウィリー・ブラウンを支援し、カリフォルニア州の反ゲイソドミー法を廃止する法案を可決させた。[ 4 ] [ 5 ]
彼女は1960年代後半からフォークミュージシャンとして活動しており、 1970年代にはヘイト・アシュベリーのヒッピー音楽シーンで活躍した。 [ 4 ] [ 5 ]彼女のアルバム『Buried Treasure 』は2005年に自主制作でリリースされた。[ 8 ]
Elliot served as vice-president of the San Francisco chapter of the lesbian political group Daughters of Bilitis from 1971 to 1972, during which she served as editor of the chapter's newsletter, Sisters.[2] When she first joined in 1971, her right to join was debated because of her assigned sex.[9] The organization was split and eventually voted 35 to 29 against the inclusion of trans women in the San Francisco chapter of the DOB; When the vote was announced, the editorial staff of Sisters left the organization in solidarity with Elliott.[2][1][10][11] Her college friend and member of the lesbian separatist Gutter Dykes Collective publicly accused her of sexually harassing her years earlier, which Elliott has denied, claiming she had made false accusations to save face with her group when it was revealed they were acquainted.[12][1]
Beth Elliott continued her involvement in the women's movement and helped to create the West Coast Lesbian Conference which took place in April 1973.[12] She was on the organization committee and was asked to perform as a singer in the conference's entertainment program.[1] However, she met opposition when she took the stage on the first night. Lesbian separatist group The Gutter Dykes had leafleted in protest of Elliott's presence, claiming she was a man, and approached the stage with hostility.[1][11][13] Other performers including Jeanne Cordova,[11]Robin Tyler, and Patty Harrison,[13] responded by defending Elliott and establishing the need for a vote on whether Elliott's performance should continue.[2][13] It took over an hour to count the roughly 1,300 attendees and resulted in a reported two-thirds in favor of Elliott's performance.[1][14] Some accounts state 3:1 in Elliott's favor while others state it as a bare majority.[11][15] Elliott gave a brief performance and went on to leave the conference.[1] The following day, keynote speaker Robin Morgan gave her address, which she had altered after the events of the previous night.[11] In the speech, titled "Lesbianism and Feminism: Synonyms or Contradictions?" Morgan referred to Elliott as a "gatecrashing...male transvestite"[1] and, using male pronouns, charged her as "an opportunist, an infiltrator, and a destroyer—with the mentality of a rapist."[1][16]
The incident at the West Coast Lesbian Conference left a lasting impression; Elliott was emotionally and socially scarred, and the words defaming her circulated among grassroots lesbian networks and began the 'transsexual rapist' trope.[1] The event was the first time many feminists encountered the question of trans women's inclusion in the movement.[1] Elliott was left ostracized from much of the women's and lesbian community due to this division emerging among feminists, including the derailment of her career in the women's music scene.[1][10][14][4][17]
EROTIC CITY beth elliott.