Mâle was born in Commentry, Auvergne. A pupil at the École normale supérieure, he received his degree in 1886. He taught rhetoric at Saint-Étienne, then at the University of Toulouse. He received his doctorate in 1899. Having taught a course in the history of Christian art at the Sorbonne since 1906, he held the chair in history of art there from 1912. He was the successor to Louis Duchesne as head of the French Academy in Rome, 1923–1937. Among Mâle's many contributions to the understanding of the art of bygone eras were his explanations of iconography and the use of allegory in religious art.[1]
In particular, his doctoral thesis on the Gothic art of France (revised over three editions) L'Art religieux du XIIIe siècle en France (1899) translated into English as The Gothic Image: Religious Art in France of the Thirteenth Century from the third edition of 1910 (or omitting "The Gothic Image" from title, especially in the US) remains in print.
Quomodo Sybillas recentiores artifices representaverint (1899)
L'Art religieux du XIIIe siècle en France (1899) - doctoral thesis. Translated into English as The Gothic Image: Religious Art in France of the Thirteenth Century from 3rd edition of 1910, 1913, Dent & Co., London, Dover Books US (omitting "The Gothic Image" from title, still in print), and other editions. Translated into German by Lorenz Zuckermandel as Die kirchliche Kunst des XIII. Jahrhunderts in Frankreich: Studie über die Ikonographie des Mittelalters und ihre Quellen. Straßburg: Verlag J. H. Ed. Heitz, 1907.
