Roy Mitsuru Hirabayashi (Japanese: 平林 満,[1] born 1951) is a Japanese American composer, performer, teacher and community leader known for co-founding San Jose Taiko and his work supporting the San Jose Japan Town Community.
He, alongside his artistic partner and wife, PJ Hirabayashi, were awarded the National Heritage Fellowship in 2011 by the National Endowment for the Arts, the United States' highest honor in the folk and traditional arts.[2]
Roy Hirabayashi was born in 1951 in Berkeley, California.[3] His parents, although born in the United States, were raised and educated in Japan. Hirabayashi, however, grew up in Oakland California and was active in the Oakland Buddhist Temple.
In 1961 he attended San Jose State University, initially to pursue engineering, but ultimately studied a combination of Psychology and Philosophy. Hirabayashi was also involved with the creation and continuation of the Asian American Studies minor at San Jose State University.[4]
After graduating from San Jose State University, Hirabayashi was hired by the San Jose Betsuin as a youth activity program coordinator. At the time, Revered Hiroshi Abiko wanted to encourage the younger generation to be more involved with the church. Having seen Kinnara Taiko in Los Angeles, Reverend Abiko recruited Hirabayashi and Dean Miyakusu (a classmate of Hirabayashi from San Jose State University) to fundraise money to start a taiko group. With the money they gathered, they visited Kinnara Taiko, where Reverend Mas Kodani, founder of Kinnara Taiko, taught them how to build drums out of wine barrels. They brought materials back and built their first drums, and began to hold open practices after Sunday church services open to all.[5] They gave their first performance in October 1973,[6] making San Jose Taiko the third taiko group to form in North America.
The following year, Hirabayashi and the core San Jose Taiko members were invited to study under Seiichi Tanaka in 1974 at San Francisco Taiko Dojo. After studying with Tanaka for a year, Hirabayashi departed and focused on developing San Jose Taiko's unique style and sound, specifically centering it around the Japanese American, or Nikkei, identity and experience.[5]
平林氏はまた、1982年の鼓童の米国および日本ツアーにステージマネージャーとして同行した。この経験を経て、平林氏はサンノゼ太鼓の演奏レベルを向上させ、よりコンサート中心の活動へと発展させるよう働きかけた。[ 5 ]
平林氏は、1973年の創設から2011年の退任まで、サンノゼ太鼓の代表を務めた。在任中は、ワークショップ講師、演奏家、作曲家としても活躍した。
平林氏は様々な理事会や委員会に所属しており、サンノゼおよびカリフォルニア州全域のコミュニティに貢献し続けている。現在、彼は